Thursday, March 28, 2024

Vesseles Interview

 

1. For those that have never heard of you before, can you tell us a little bit about the solo project?


Vesseles was created to be an outlet for coping with my demon identity. The music is meant to convey how that feels through the progressions, instrument choices and overall atmosphere. The core feeling is existential dread, dysphoria and hatred both of oneself and the world around. 




2. In May you have an EP coming out, can you tell us a little bit more about the musical style that you went for on the recording?


Black metal felt the most appropriate for the subject matter. So, I started with that as the main direction and influence but not as a rule. I tend to add strings, keys, horns, etc into my work because I enjoy the atmosphere it adds. Adding eerie chords and piano lines became the signature sound for this EP and project going forward.




3. What are some of the lyrical topics and subjects that you have explored so far with the music?


The project is based around my identity so all of the lyrics relate to my experiences with that. Some relate to self hatred and others to hating what’s outside of my control. Since this EP has a storyline, the lyrics lean more into transformation of self but fall back into internal struggles.




4. What is the meaning and inspiration behind the name 'Vesseles'?


The name is a play on vessel/vessels. “Vesseles” is meant to have a Latin feel. My body feels like nothing but a vessel that contains my true self. It’s not really “me”. This is where the plural version comes in. I like to think that my true vessel is out there somewhere. For now, I live through two different vessels. The reason I didn’t pick vessel or vessels is because these are two very commonly used names for projects and I always like to think of something that’s easy to remember yet is not taken.




5. Can you tell us a little bit about the artwork that is presented on the new ep cover?


Since the EP title is “I Am a Demon”, it felt most applicable to just have myself on the cover. I, at first, was thinking I’d get artwork made of this but the more I thought about it, the more it felt like having just a picture of myself was best.




6. The band is considered a solo project while you have a line up on the ep, are there any plans to expand into a full band?


I’d say “solo project” should be used loosely here. So far, there’s a live lineup and studio lineup. I’d like to expand the live lineup so the live experience is “fuller” but I don’t plan to include members in the writing process. I want to maintain the original purpose of this project which is to use it as an outlet for my own experiences with my identity. 




7. What are some of the best shows that the live line up has played so far and also how would you describe your stage performance?


We have only played one show so far but it’s certainly a great first one. We opened for Uada, Abigail Williams and Vile Rites in San Francisco. I want to invest more into our stage performance but it’s nice to have a baseline based on this show. The plan is to add more props and/backdrops as well as coordinate the piano breaks so everything feels more thematically accurate. 




8. Do you have any touring or show plans once the new EP releases?


There’s an EP release show in the works but nothing has been announced yet. 




9. Currently you are unsigned, are you looking for a label or have received any interest?


Not looking for a label currently.




10. When can we expect a full length and also where do you see yourself heading into as a musician during the future?


I am currently writing the 2nd release. I’m not sure if it will be another EP or an album. I can’t promise either one. The musical direction is certainly faster and more inspired by my previous band, Arcane Existence. So, for anyone who was a fan of that material, they should find more to enjoy in this material.




11. What are some of the bands or musical styles that have had an influence on your music and also what are you listening to nowadays?


Evanescence will always be my core influence. They have a lot to do with why I love adding orchestrations and piano in my music. Otherwise, Cradle of Filth, Dark Funeral, and Dimmu Borgir are a few other indirect influences. I say indirect because I don’t really listen to them actively but since I listened to them early on, they certainly planted some influences. 


I don’t listen to the extreme stuff as much as I used to. I’ll always come back to it but right now I’m listening to Spiritbox, PVRIS, Syncatto, and Greyhaven




12. Before we wrap up this interview, do you have any final words or thoughts?  


This project is easily the most personal music I’ve ever written. Releasing the first single was extremely anxiety driven and I have a strong feeling the rest of this material will be the same. I hope to inspire anyone who’s struggling with their identity or sense of belonging. This music isn’t just about me, it’s about the importance of self discovery and sticking true to yourself. 

Bandcamp: https://vesseles.bandcamp.com/
Facebook: https://www.facebook.com/vesseles/
YouTube: https://www.youtube.com/channel/UCuDHPK1_w08uh6eL27gW6fg
Instagram: https://www.instagram.com/vesseles666/

Thursday, March 21, 2024

Eyriahrk Nunshkar Interview

 


1.For those that have never heard of you before, can you tell us a little bit about the solo project?

The solo project, in fact, has existed since 2014, but it was under a different name, A.M Ferrari Fradejas, and the music was very different, and considerably changed over the last four years. It became clearer when I released the previous EP, "Shiarkha," in 2022. It happened very spontaneously, over a guitar gifted to me on my birthday two years ago, my main instruments to write music for over thirty five years were the piano and keyboard. Why I didn't play guitar before is another story to tell, but when I plugged this one in, two months after the EP Shiarkha was released.


2.You released an ep in February, musically how does it differ from your previous release?  

Under this project, it already differs from its predecessor, Shiarkha, which was much rawer, possibly less structured, and probably less colourful, and an only-one-flavour EP. The Eyriahrk Nunshkar EP incorporates more elements of all the music I have created over the years. In some ways, it feels like working on a puzzle, though I only noticed it after making this EP; I didn't think about it while making it. It more dramatically differs from the music I released under my previous name, which was a blend of progressive rock, psychedelic rock, contemporary, neofolk, and avant-pop, even soul. I'm not great with labels and am not keen on them, but I understand their use.


3.What are some of the lyrical topics and subjects you have explored so far with the music?  

Until 2019, I drew inspiration from various things, such as cinema, which is also important to me, a painting, a movie, someone I met in the street or something I witnessed, and personal experiences too. I didn't talk about a release in 2021, though now I feel like it belongs to this project. I considered it to be a bit of a side project at the time. I actually wanted to distance myself from it because it was a gift for the dead or the departed. I released my first experimental short movie, which accompanied an album of mantras and rituals; the making of it was a ritual in itself. I had given myself a bit more than a month to get it ready for October 31st, 2021. I was reading a lot on the importance of the work of psychopomps (guides of souls who escort deceased souls from Earth to the afterlife), which, regardless of one's belief system or non-belief, is very much needed in our world. If we don't want to call it a soul, call it energy or memory, and we don't want it trapped here. The idea was to recreate this ritual or process in music and visuals; it came to me while I was walking in one of my favorite spots, a beautiful graveyard with a view of the sea, and so, when it happened, I had very little time to get it ready. The intertwined idea is that any sales from this release are sent to charities supporting bereavement after suicide and suicide prevention. Shiarkha, which was released in 2022, is the name of an owl I encountered during an inner journey, or shamanic journey. So far, the inspiration for this project has been drawn from journeying, channelling, or whatever you may call it. We all have a different understanding, and this is one of my understandings.


4.On the ep you also written your lyrics in 3 different languages, can you tell us a little bit more about the languages you used in your songwriting?

One of the languages is an improvised one; some people call it glossolalia, or speaking tongues. I admire those who know in their hearts what they say or what is happening to them. I have an amazing friend who speaks a light language; I don't have that confidence; I just don't know; our brain works in mysterious ways; and while there are also unseen realms that we don't know about, well, I don't. I have an understanding, but that doesn't mean that I know. However, I am working consciously on the intention and the energy I put into the work I do because, regardless of whether my music reaches two ears or more, as musicians, but not only, also as human beings, we have a duty and a responsibility to choose what energy and what message we want to convey. Regarding the languages themselves, I've always been fascinated by their sounds, dialects, and words, and as a child, I loved to sing in made-up languages. My music partner and husband, Santiago, and I have also developed some sort of dialect over the last thirteen years we have been together. Anyway, I am far from being the first to make up languages; we had Magma, Tolkien, and the Cocteau Twins, to name a few. In the creative process of this EP, other lyrics came to me in French and in English, which are the two main languages that I speak. My Spanish is not fluent, though I used some in my previous EP, "Shiarkha." The Māori bit happened when I researched sentences and words that depict the silver cord, the silver cord linking the astral form to the physical body during astral projection or out-of-body experience. I found some Māori words that I loved and used, and probably the translation wouldn't be accurate, but I love the sound of "Taura Hiriwa," for example, and so I used it.  


5.What is the meaning and inspiration behind the name 'Eyriahrk Nunshkar'?  

Another made-up word became a name. In fact, it was only the title of the second track of the EP at first, and when I finished the EP, it felt natural and logical that the solo project should be renamed, and that was going to be the new project name or pseudonym.


6.Can you tell us a little bit more about the artwork that is presented on the ep cover?

It was a picture taken on a very very windy day. I am very blessed to be living by the sea, and I was messing around like a 5-year-old trapped in a 49-year-old body, taking pictures of my hair in the wind. One shot was of the hair covering my eyes. I posted the picture, and someone said, "It should be an album art cover." This was before I even started working on the last EP. Now the EP art cover looks nothing like the original picture because I did some work on it, but once I finished the artwork, I realised it was an eye curtain made of hair. In some shamanic cultures, such as in Siberia, for example, one of the purposes of the eye curtains is to hide their eyes from ordinary people when they merge with their spirit helpers and also to act as a screen in order to help them go into trance. It also helps with journeying and helps to reach and maintain a specific altered state of consciousness, which makes sense in this context.


7.With this project you record everything by yourself, are you open to working with other musicians or do you prefer to work solo?  

I feel very lucky to have been collaborating with many musicians and artists. I am still collaborating with other musicians at this time. It's not that I prefer to work solo; there are just different experiences. When I work solo, I am in a different realm, and the creative process is different as well. It's a bit like being in a dream state, and when I finish a recording, I don't remember the whole process. I am not trying to be mysterious or cryptic; it's just how I experience it. I also work very fast when I am alone—not that I am better than anyone; it's just that there is a stream of information that passes through me, and it's fast when it happens. I have to follow and materialise as it happens. In fact, it is anxiety-inducing for me, and I get impatient, though as I am growing older, I am dealing much better with it, and I am much more disciplined about it these days. When I work in collaboration, I am much more aware, and it's the work and energy of the people I work with that fuel me. I am always open to working with other musicians, not only for the experience of sharing but also for the opportunity of learning and growing as a musician. In the context of Eyriahrk Nunshkar, I don't know where this is going; I am experiencing and experimenting.


8.You also release your own music on your own label, are you open to working with other labels?  

Yes, I actually contacted two record labels already because I really like the artists they are working with. For years, I didn't want to be signed, mainly due to bad past experiences, but I am not against it today.


9.On  a worldwide level how has the reaction been to your music by fans of experimental and extreme metal?

I have been quite under the radar since working as a solo artist, and I would say even more with this project. But the few pieces of feedback I received have been very positive, which I am grateful for.


10.Can you tell us a little bit more about your other musical projects?  

Current or past ones? I collaborated with many people, but currently I have a joint project, and since we're not revealing our identities for the time being, I won't say more on this one. We have already released an EP, and we are planning some new material. There is also the Fradejas & Fradejas duo with Santiago Fradejas, my music partner and husband; we released one free-form experimental EP and another free-form experimental album during COVID called OUM. We released our last EP in 2022 called "Los Nueve Buhos," which is more song-oriented but is a bonkers blend of old-fashioned crooning, extreme metal, and cowboy music with lyrics made up of the mixed-up language we created over the years. Some of our sources of inspiration were drawn by the White family of West Virginia, and other sources are beings from other alternative realms who we have given life to. I also collaborated more closely on Layma Azur's albums "Zeii" and "The Lower Sky.". Layma Azur is a rock-in-opposition, prog rock project founded in Buenos Aires by Santiago in 2005. Other recent collaborations include some vocal arrangements for Jeff Eacho, a great musician and friend, and vocal arrangements for Tribes of Medusa alongside the musicians, songwriters, and vocalists Valenteen and Evi Vine, also all dear friends. I collaborated with the production, arrangements, and backing vocals on a song called "The Legacy," written by a musician and friend, Tannith Storm, which we released last year. Past and current collaborations as a guest vocalist include the UK-based Goth crossover band The Eden House between 2009 and 2011, Sand Snowman, who is an amazing artist and musician that creates very unique music, a blend of experimental psychedelic prog folk, and also the equally amazing, unique, and talented Phi-Yaan-Zek.


11.When can we expect a full length and also where do you see yourself heading into as a musician during the future?  

As to when there will be a full-length album, I have no idea at this time, but then I said that last summer, and I released an EP last February, so who knows? I have written a lot of music over the years. I also attempted on a few occasions to put a set together and play live, but what happened instead while rehearsing were new songs, albums, and EPs, and it's not like I had an audience waiting for me to play anyway. Where do I see myself heading as a musician in the future? Well, if all goes well, I will turn 50 next year. Over the last few years, I have lost friends, some younger than me. I live in the present more than ever! I am alive now, my husband is alive, and so are some of my loved ones, and that has become the most important thing in these times of uncertainty. I am just grateful for what I have, for the luxury of being able to create at home, and for the luxury of not compromising what I do. I live with the consequences of it, which might be that I am not able to make a living from what I do. The younger me would be frustrated and filled with feelings of unfairness. Luckily, I am older and taking on my responsibilities, and I am also admiring the fresh blood taking over! The metal and avant-garde fields are crowded, and the music field is also full of young, amazing musicians. I hear people saying, "Music is not as good as it used to be." I respectfully disagree; it's just that we have to search for it in this internet ocean. There are many fantastic artists and musicians under the radar who took the teachings from their ancestors and took it to the next level with better technique and craft in creating hybrids. If I can reach an audience and have the health to keep creating and maybe playing live again, if I can overcome my anxiety, but I would if the opportunity happened, then great! I would love to. I have amazing musician friends, and we spoke about creating our own network and scene and collaborating. I would love that, but if it doesn't happen, I am at peace with it and will enjoy and honour what I have, prioritise my loved ones, and see how I can be of better service to others.


12.What are some of the bands or musical styles you are currently listening to nowadays?  

I wish I had more time; there is so much music to listen to and discover. At the moment, I try to make time to listen to what my friends release on Bandcamp. I listen to Zeresh, a one female band with a very unique tone, sound and atmosphere. I also listen to Kate Arnold, who does electro-mediaeval loopery on hammered dulcimer, violin, and vocals, also unique and beautiful. I try as well to make time to listen to new artists or artists I don't know on Bandcamp, YouTube, etc. I am listening to this fabulous artist called Kakushin Nishihara, a performer of a traditional instrument, the Satsuma Biwa (a five-stringed Japanese lute). She blends that with noise and experimental music. When I can make time to listen to more music, because life can get in the way, there will be Thantifaxath, Tom Yorke. A few days ago, I was introduced to Oranssi Pazuzu, and I loved it. I know they have been around for some time, but I didn't know them. Last week I listened to the last Sleepytime Gorilla Museum album, and as I expected from them, it was mind-blowing! I listen to black metal, death metal, contemporary classical, avant-garde, British 80's new wave, punk, pop, traditional folk music from various countries, fusion, grunge, electro, trance, goth, soul, industrial and the list goes on.


13.Before we wrap up this interview, do you have any final words or thoughts?  

Yes, thank you so very much for inviting me to this interview and for giving musicians and artists exposure and the opportunity to express themselves.


 https://www.fradejasproductions.com/

Vesseles/I Am A Demon/2024 EP Review

 


  Vesseles  are  a  band  from  Santa  Clara,  California  that  plays  a  symphonic  form  of  black  metal  and  this  is  a  review  of  their  self  released  2024  ep  "I  Am  A  Demon"  which  will  be  released  in  May.


  A  very  fast  sound  starts  off  the  ep  along  with  a  decent  amount  of  tremolo  picking  and  blast beats  while  symphonic  elements  are  also  mixed  in with  the  heavier  sections  of  the  songs.  Vocals  are  mostly  high  pitched  black  metal  screams  along  with  some  growls  also  being  utilized  at  times  and  the  music  is  heavily  rooted  in  the  mid  90's  era.


  Throughout  the  recording  you  can  also  hear  a  good  mixture  of  slow,  mid  paced  and  fast  parts  while  the  solos  and  leads  are  also  done  in  a  very  melodic  style.  Clean  playing  can  also be  heard  on  a  couple  of  tracks  along  with  the  riffs  also  adding  in  a  decent  amount  of  melody  and  all  of  the  drum  beats  are  also  programmed  as  well  as  one  track  also  being  an  instrumental,  one  song  also  adds  in  a  brief  use  of  choirs.


  Vesseles  plays  a  style  of  symphonic  black  metal  that  is  very  heavily  rooted  in  the  mid  90's  era.  The  production  sounds  very  professional  while  the  lyrics  cover  dysphoria  and  coping  with  living  in  a  world  you  are  not  from.  


   In  my  opinion  Vesseles  are  a  very  great  sounding  symphonic  black  metal  band  and  if  you  are  a  fan  of  this  musical  genre,  you  should  check  out  this  ep.  RECOMMENDED  TRACKS  INCLUDE  "I  Am  A  Demon"  and  "Dysphoria".  8  out  of  10.


  Bandcamp: https://vesseles.bandcamp.com/

Facebook: https://www.facebook.com/vesseles/
YouTube: https://www.youtube.com/channel/UCuDHPK1_w08uh6eL27gW6fg

Instagram: https://www.instagram.com/vesseles666/      

Astral Fortress/Spawn Of The Stars/Elevate Records/2024 Full Length Review

 


  Astral  Fortress  are  a  band  from  Rhode  Island  that  plays  a  melodic  mixture  of  black  and  death  metal  and  this  is  a  review  of  their  2023  album  "Spawn  Of  the  Stars"  which  will  be  released  in  April  by  Elevate  Records.


  A  sci-fi  orientated  intro  starts  off  the  album  before  introducing  melodic  guitar  solos  and  leads  into  the  music  which  also  takes  the  recording  into  more  of  a  heavier  direction.  All  of  the  musical  instruments  also  have  a  very  powerful  sound  to  them  and  the  riffs  also  add  in  a  decent  amount  of  melody.


  Vocals  are  a  mixture  of  black  metal  screams  and  death  metal  growls  while  the  faster  sections  of  the  songs  also  add  in  a  decent  amount  of  blast  beats.  Most  of  the  music  is  also  very  heavily  rooted  in  the  90's  style  along  with  the  faster  riffing  also  adding  in  a  decent  amount  of  tremolo  picking  and  spoken  word  parts  are  also  added  on  a  couple  of  songs.


  Clean  playing  is  also  added  in  certain  sections  of  the  recording  along  with  the  songs  also  adding  in  a  good  mixture  of  slow,  mid  paced  and  fast  parts,  melodic  singing  and  keyboards  can  also  be  heard  briefly  as  well  as  a  few  tracks  also  being  very  long  and  epic  in  length.  The  production  sounds  very  old  school  while  the  lyrics  cover  the  writings  of  H.P  Lovecraft,  space,  astrophysics  and  horror  films/books.


  In  my  opinion  Astral  Fortress  are  a  very  great  sounding  melodic  mixture  of  black  and  death  metal  and  if  you  are  a  fan  of  those  musical  genres,  you  should  check  out  this  band.  RECOMMENDED  TRACKS  INCLUDE  "Unanimated  Matter"  "The  Dunwich  Horror"  and  "Cosmic  Void".  8 /5  out  of  10.


  Facebook  :  https://www.facebook.com/astral.fortress.band

Instagram :  https://www.instagram.com/astralfortressband?igsh=dnRjZGNhaTZ6cTZk            

Wednesday, March 20, 2024

Malevich/Trembling And Dowsed/Roman Numeral Records/2024 EP Review

 


  Malevich  are  a  band  from  Atlanta,  Georgia  that  plays  an  experimental  mixture  of  dissonant  black,  sludge  metal  and  post  hardcore  and  this  is  a  review  of  their  2024  ep  "Trembling  And  Dowsed"  which  will  be  released  in  April  by  Roman  Numeral  Records.


  Distorted  beats  start  off  the  ep  along  with  some  synths  a  few  seconds  later  before  going  into  a  heavier  sludge  metal  direction.  Vocals  are  mostly  angry  sounding  hardcore  style  screams  while  the  riffs  also  add  in  a  decent  amount  of  melody  along  with  the  music  also  having  its  experimental  moments.


  Some  of  the  screams  also  add  in  touches  of  black  metal  while  the  riffs  also  go  into  a  dissonant  direction  at  times.  Growls  can  also  be  heard  in  certain  sections  of  the  recording  along  with  the  music  also  adding  in  a  decent  amount  of  blast  beats  and  grindcore  influences  when  it  speeds  up  along  with  all  of  the  musical  instruments  also  having  a  very  powerful  sound  to  them,  slide  guitars  can  also  be  heard  briefly  and  the  clean  sections  also  add  in  post  rock  elements  and  clear  vocals.    


  Malevich  plays  a  musical  style  that  takes  dissonant  black,  sludge  metal,  post  hardcore  and  experimental  and  mixes  them  together  to  create  a  sound  of  their  own.  The  production  sounds  very  professional  while  the  lyrics  cover  existential  dread  and  the  oppressive  systems  under  capitalism.


  In  my  opinion  Malevich  are  a  very  decent  sounding  experimental  mixture  of  dissonant  black,  sludge  metal  and  post  hardcore  and  if  you  are  a  fan  of  those  musical  genres,  you  should  check  out  this  band.  RECOMMENDED  TRACKS  INCLUDE  "Red  To  Gold"  and  "Inaliencable".  7  out  of  10.


  https://www.youtube.com/watch?v=R8fH5r8NKI8      

Tuesday, March 19, 2024

Exodikon/Chaosophilia/WormHoleDeath Records/2024 Full Length Review

 


  Exodikon  are  a  band  from  Hungary  that  plays  a  melodic  mixture  of  black,  death  and  thrash  metal  and  this  is  a  review  of  their  2024  album  "Chaosphilia"  which  will b e  released  on  march  29th  by  WormHoleDeath  Records.


  Acoustic  guitars  start  off  the  album  along  with  some  synths  a  few  seconds  later  before  going  into  more  of  a  heavier  and  melodic  direction.  When  the  music  speeds  up  a  decent  amount  of  tremolo  picking  and  blast b eats  can  be  heard  while  the  vocals  are  a  mixture  of  black  metal  screams  and  death  metal  growls.


  Elements  of  thrash  metal  are  also  utilized  quite  a  bit  throughout  the  recording  while  the  songs  also  add  in  a  decent  mixture  of  slow,  mid  paced  and  fast  parts.  When  guitar  solos  and  leads  are  added  onto  the  album  they  are  done  in  a  very  melodic  style  along  with  some  of  the  tracks  also  being  long  and  epic  in  length.


  Exodikon  plays  a  musical  style  that  takes  the  melodic  forms  of  black  and  death  metal  and  mixes  them  together  to  create  a  sound  of  their  own.  The  production  sounds  very  professional  while  the  lyrics  cover  struggle,  bipolarity  and  acceptance  of  life's  absurdity.


  In  my  opinion  Exodikon  are  a  very  great  sounding  melodic  mixture  of  black  and  death  metal  and  if  you  are  a  fan  of  those  musical  genres,  you  should  check  out  this  band.  RECOMMENDED  TRACKS  INCLUDE  "The  Awakening  Death(The  psychics  of  The  manipulated)"  "The  Lord  Of  Wounds(The  Incubation  Of  Pain)"  and  "Unbtermensch(The  Psychics  Of  Deceivers)".  8  out  of  10.


  www.exodikon.com

www.facebook.com/exodikon
www.instagram.com/exodikonofficial

Spotify: SpotifyExodikon  

Vale Of Pnath/Between The Worlds Of Life And Death/Willowtip Records/2024 Full Length Review

 


  Vale  Of  Pnath  are  a  band  from  Denver,  Colorado  that  has  had  music  reviewed  before  in  this  zine  and  on  this  recording  plays  a  very  melodic  and  technical  mixture  of  black  and  death  metal  and  this  is  a  review  of  their  2024  album  "Between  The  Worlds  Of  Life  And  Death"  which  will b e  released  in  may  by  Willowtip  Records.


   Cello's  start  off  the  album  which  also  gives  the  music  an  atmosphere  of  a  horror  movie  soundtrack  along  with  some  choirs  and  symphonic  touches  before  going  into  more  of  a  heavier  and  melodic  direction.  Vocals  are  a  mixture  of  death  metal  growls  and  black  metal  screams  and  when  the  music  speeds  up  a  great  amount  of  blast  beats  can  also  be  heard.


  Tremolo  picking  can  also b e  heard  in  some  of  the  faster  riffing  while  the  songs  also  add  in  a  good  mixture  of  slow,  mid  paced  and  fast  parts.  At  times  the  music  also  gets  very  technical  sounding  along  with  the  solos  and  leads  also  being  done  in  a  very  melodic  style  when  they  are  utilized  as  well  as  one  track  also  adding  in  a  brief  use  of  clean  playing.


  On  this  recording  Vale  of  Pnath  takes  a  melodic  and  symphonic  form  of  black  metal  and  mixes  it  with  technical  death  metal  to  create  a  very  aggressive  sounding  recording.  The  production  sounds  very  professional  while  the  lyrics  cover  science  fiction  and  horror  themes.


  In  my  opinion  this  is  another  great  sounding  recording  from  Vale  Of  Pnath  and  if  you  are  a  fan  of  melodic,  symphonic  and  technical  black  and  death  metal,  you  should  check  out  this  album.  RECOMMENDED  TRACKS  INCLUDE  "Silent  Prayers"  "Uncertain  Tomorrow"  and  "Burning  Light".  8 out  of  10.


  linktr.ee/valeofpnath.